This work explores the abject and viscera of the body through a simulacra of silicone and the frame. I am using silicone casting of bodily forms to allude to a non-idealized form and pushing the rawness of the human body by adding hair and wet resin drips. By literally stitching these forms into ceramic frames I am able to place them in a certain lens to be viewed. I want these forms to be seen as holding value and beauty as well as what society places aesthetic value on. Therefore, these ceramic frames have lace press molded into them as a classic and dainty  symbol of beauty and aesthetic value. While I want to build these forms into a hierarchy for my viewers, I also want them to feel a sense of uncomfortability or unease. I feel this abject feeling will hopefully make the viewer question why this raw and beautifully human thing is so uncomfortable to look at. For this installation I also crafted a Roman column pedestal with added lace features as a way of alluding to the 17th century time period, while also putting my own spin on it, as a way to compare the historical treatment of beauty standards to the contemporaries.